Short Films By Lady Gaga

Why does this year’s slate of movies suck so bad? There has literally been not one movie out all summer that I have wanted to see. They are all sequels or rehashes of stories that have already been told. As mentioned before, originality in Hollywood is dead.

In light of this disheartening fact, I would like to highlight a beacon of light in the entertainment industry – Lady Gaga. You don’t have to like her. In fact, her songs, although they have catchy hooks, are often repetitive and annoying. She does not have the musical creativity of M.I.A. I would place her firmly in the same camp as Christina Aguilera and Britney Spears, but more like the former. Gaga does have a voice and is talented like Christina, but knows how to market herself to the media like Britney. You really need to look past the crazy clothes and shock value tactics to truly appreciate Gaga. She has arguably single-handedly revitalized the music industry in the last two years. It has been a while since the last time an artist came around who put out a music video and instantaneously, EVERYONE knew the song and what was happening in the video. Madonna, Michael Jackson and Britney can all claim that feat and that is quite a good crowd for Gaga to be in.

I love the effort and the passion she puts into everything that she does. She is of the mindset that if you are not going to do something the very best, why bother doing it at all. It is an incredibly admirable philosophy to have. “Be the best you can be” is an ideal most of us hold high, but very few of us ever try hard enough to achieve it. Gaga’s music videos started out mediocre and actually below par with Just Dance and Poker Face, but she was still relatively new then. She started amping up the sex in LoveGame and from that point forward has appeared nearly naked in almost all of her videos. However, starting from Paparazzi, every music video she has made has been more of a short film. Budgets soared to the point where she was no longer turning a profit. She was truly doing it for the love of art and not the money, which makes me respect her as a musician infinitely more. Her videos started having deep messages such as Bad Romance’s subtle insinuations at the brutality of the Russian sex slave trade. Rife with pop culture references, Telephone was a mockery of our obsession with commercialism.

As interesting as the Telephone video was to watch, it didn’t actually have anything to do with the song. I never really understood that. If you wrote a song, it was presumably because you had something to say. And if you had something to say, wouldn’t you want to depict that in video when given the chance? What started with Telephone extended in even larger magnitudes with Alejandro. First of all, I fail to understand what this song is about. Secondly, I doubt it has anything to do with sacrilege, a highly fashionable military or androgynous rough sex.

Listen, I am all about being provocative in your music videos. I think that is one of the reasons the format has remained relevant. However, Lady Gaga used to be provocative with a purpose. Now, she is just provocative to see how weird she can get. Not only is she blatantly going for shock value, but she is repeating things that have been done by others. It is one thing to pay homage to someone like Gaga did for Tarantino in the Telephone video, but it is another to emulate everyone to the point that nothing is your own any more. In the Alejandro video, Gaga borrows heavily from Madonna, Janet Jackson, and Bob Fosse, not to mention that the hook of the song has a very strong resemblance to that of Ace of Base’s Don’t Turn Around. There is really no need to wear crosses over your crotch and suggestively deepthroat rosary beads when Madonna burned crosses over twenty years ago. In fact, there is no reason to do anything sacrilegious at all. I am all for religious freedom and separation of church and state, but I am also for respecting all religions, even if I don’t agree with them. At least when Madonna burned crosses in her video and made out with black Jesus, she was making a statement about prejudice and how little we have progressed in the last 2,000 years. I fail to see the point of the crosses and the rosaries in the Alejandro video.

And finally on a completely superficial level, what is with the hair in this video? For someone that has had so much gender doubt, is it really wise to adopt a the bowl cut of a pre-pubescent boy and practically sodomize a member of what appears to be the gay militia? I really like the dark and gloom of the video and the dance sequence from 4:11 to 4:38 is off the hook, but thematically it just doesn’t make sense to me. Lady Gaga said earlier that it was supposed to be an ode to her gay fans, but I am not really sure how engaging in an orgy with sexually ambiguous half-naked men is supposed to do anything positive for her gay fanbase. It only reinforces stereotypes that gay men are sex-crazed gym addicts with no respect for military or religion.

I expected something better from Lady Gaga, something deeper. She started out so strong, but lately her work has been lacking purpose. Earlier I said you had to look beyond the crazy clothes and shock value to truly appreciate Gaga, but in the case of Alejandro, looking past that leaves you with only empty space.

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On The Politics and Talents of M.I.A.

The New York Times Magazine just published a very long profile on British/Sri Lankan/Pop/Hip-Hop star M.I.A. You would think that someone would be flattered to have so many words written about them, right? Wrong. Not if the reporter writes an article painting you as a hypocrite and poser! Lynn Hirschberg wrote about M.I.A.’s siding with the Tamil Tigers, who are now in a bloody civil war with the Sinhalese in Sri Lanka. I don’t know much about this civil war and Hirschberg argues that neither does M.I.A.

The article is an interesting read because Hirschberg is a great writer and a clear thinker. Her thesis is that M.I.A. is an incredibly talented and unique musician, who makes uninformed statements about politics and Hirschberg stays true to that through all 9 pages. That is an incredibly hard feat to accomplish unless you had all your evidence lined up. The following is a perfect example of her thesis:

The combination of being nearly naked, hugely pregnant, singing incendiary lyrics and having the eyes of the world upon her was too much to resist. And she was riveting, upstaging the four much more famous guys and dominating the stage. “That’s gangsta,” said Queen Latifah, one of the show’s presenters. Three days later, her son, Ikhyd (pronounced I-kid) Edgar Arular Bronf­man, was born. … As usual, she wanted to transform her personal life into a political statement. “You gotta embrace the pain, embrace the struggle,” she proclaimed weeks before Ikhyd was born. “And my giving birth is nothing when I think about all the people in Sri Lanka that have to give birth in a concentration camp.” As it happened, Maya, who is 34, gave birth in a private room in Cedars-Sinai Medical Center in Los Angeles.

And this quote is just HILARIOUS in its dry humor:

Jimmy Iovine, who runs Interscope, my record company, said, ‘Pick your battles carefully — don’t put your life at risk,’ but at the end of the day, I don’t see how you can shut up and just enjoy success when other people who don’t have the fame or the luxury to rent security guards are suffering. What the hell do they do? They just die.” Maya’s tirade, typical in the way it moved from the political to the personal and back again, was interrupted by a waiter, who offered her a variety of rolls. She chose the olive bread.

As much as I love M.I.A., I will have to side with Hirschberg on this feud. M.I.A. has a very distinctive sound and I love her music. It is infused with an infectious, tribal beat and she does things with sound that you don’t think will work, but for some reason it does. She named her first two albums after her father, Arular, and her mother, Kala. You have to respect that. She claims the first two English words she learned were “Michael” and “Jackson.” I don’t know if that is actually true, but anyone that holds MJ on a pedestal is OK by me!

Despite my obviously being an M.I.A. fanboy, it absolutely drives me nuts when celebrities decide to make political statements. Just because you are a good musician does not give you the right to spread your opinions as if they are gospel and then throw a temper tantrum when someone disagrees with them, which is exactly what M.I.A. did. She tweeted the reporter’s phone number, so that she is now deluged with calls from random people. I am not saying that pop stars can’t have opinions, but by being a pop star, you have already signed onto be a role model. People will honor your opinion and take it as more than just an opinion. With this power comes a great responsibility — not to let your personal bias shape your public statements. Everyone has a personal bias; I am not faulting M.I.A. for that, but you must be aware of what limitations are imposed by this bias.

Oftentimes, it seems that celebrities take up political causes because they believe it is trendy. At some awards show I can’t quite remember now, people were wearing pins for Haiti. Nice gesture, but really, that pin did a lot more for the celebrity wearing it than it did for Haiti. Politics are too complicated, too murky, too serious to be trendy. You are an entertainer. You get paid to entertain us. Please stick to doing that because we are not paying to hear your personal opinions on a civil war, the complexities of which we are completely naive.

Hirschberg’s portrait of M.I.A. was indeed accurate. She IS a fascinating musician; she IS a pop star; she DOES live a life of privilege; but she is NOT an expert on global politics. Hirschberg does not even say any of that is undeserved or wrong. It is only incongruous. Take the criticism as constructive and move on.

EDIT: I just saw M.I.A.’s video for Born Free. I love it. It is a work of art. In the video, M.I.A. shows a group of young redhead boys being captured out of their homes, put on a bus, and hunted down. The images are raw and incredibly shocking as the children are shot in the head point blank and blown up by grenades and land mines. Although I stand by my argument that M.I.A. has no place telling the world whether the Tamil Tigers or the Sinhalese are correct, she is still an artist and an artist is nothing if they are not breaking down boundaries. Her music video can be interpreted in different ways and is not restricted to Sri Lanka. She is not directly making a statement about any political group, but is taking a universal stand against genocide. Some have even applied the message of this video towards Arizona’s recent law making discrimination against immigrants legal. These are abstract concepts that absolutely fall in the domain of artistry, even though specific politics do not.

Charcoal Analysis: The Renaissance of Alesha Dixon

[Shout out to articsnooze for commenting about Alesha on this post. Images from AleshaDixon.net]

alesha-1

Alesha Dixon has had quite a year.

According to fansite AleshaDixon.net, her solo album has been certified gold by the British Phonographic Institute which means:

100,000 albums sold.

This is a great achievement and it is her highest her solo career has yielded thus far. Continue reading

Charcoal Analysis: “You say you like my body…”

bee-promo[Image from Daily Stab via Beyonce World]

Tape me: Video Phone is a gut song. When I was listening to the album for the 1st time, I didn’t like it at all. The beat was going at the speed of the light.

Then, it knocked me in the gut as I started to listen to it more.

I started to dance around Single-Ladies style to Video Phone, miming to Beyonce’s attitude laced lyrics.

You want me naked?: Video Phone is Beyonce’s most sexually provocative song I have ever heard.

I thought Kitty Kat on B’Day was extremely provocative, considering her sweet nature as she purred: “Your sex ain’t all that” and “that includes my sweet little nookie too”.

Video Phone is a sonic gyration of a woman who sounds sexually liberated, who wants to put on a ‘show’ for her man.

The faux noises in the background give the song this sheen of female sexuality that is proud, almost flagrant. Continue reading

Black Female Singers in the 2008 UK Charts

2008 is wrapping up so I thought it would be interesting to see how black/mixed-race/ethnic/singers have done in the UK chart. This is in no particular order and I would be interested to hear your thoughts about how they have done.

Figures Overview:

  • 4 Black female singers took the #1 on top of the UK chart
  • 9 weeks = total of how long all the #1s of the singers added together stayed on the top of the charts
  • 100,000 albums sold of the album Shine in the UK in 2008. It is certified gold by  British Phonographic Institute [BPI].

[Sources for statistics: Official Charts Company and British Phonographic Institute]

In descending order by letter, these 4 singers are…

1. Rihanna: The Barbadian singer scored another UK #1 with ‘Take a Bow’. The song stayed at #1 for 2 weeks. I’m interested to see what will happen for her next album. I know I am tough on her but that’s only because I am still sitting on the fence about her b/c sometimes she’s cool and then other times, it’s like@ wtf. 2009 should be release of her next album so we’ll see.

leona-lewis-1

2. Leona Lewis: In January 2008, Leona’s debut album ‘Spirit’ was certified six times Platinum which meant…

1,800,000 albums sold in the United Kingdom alone.

Phenomenal numbers for a debut but this girl deserves it. She can sing her arse off and that is not an overstatement.

Leona scored another #1 this year with ‘Run’, her cover of the Snow Patrol song which is #1 for 2 weeks as I type.

estelle

3.Estelle:

West London girl scored a #1 hit with ‘American Boy’ with Kanye West.

So ironic that she got no love and now she is a transatlantic criticically acclaimed sensation.

Love Estelle and what a beauty too. She really is stunning. She has very striking African features.

Her song ‘American Boy’ was #1 between March and April for 4 weeks. Her album, Shine, as mentioned above went Gold with 100K sales.

 

bee-los-principales

4. Beyonce

Bee released her 3rd album ‘I Am…Sasha Fierce’ in the UK on 18 November 2008.

She debuted with around 38,000 sales of the album, charting at #10.

While this wasn’t what I expected to be honest, she sold 34,000 of B’Day in its first week in the UK so it is an improvement!

Her song ‘If I were a Boy’ charted at #2 first and then fought its way to #1 and stayed there for one week.

One of Bee’s singles that did really well in the UK was ‘Beautiful Liar’ with Shakira, a song I barely listen to lol. It was certified silver with sales of 200,000.

 All in all, 2008 has been a good year for black women in the UK chart. I’m excited to see where 2009 will take black female singers in the UK.

Pursuit of Longevity: The Business Behind [X] Factor

Alexandra Burke, the 20 year old girl from Islington, north London won the competition last week. This competition created the force that is Leona Lewis, who has had sales of circa 4.5million CDs of her first album ‘Spirit’ and its’ rerelease.

Give me the numbers: What’s even more fascinating than her actual win from a business perspective is that Burke’s rendition of ‘Hallelujah’ by Leonard Cohen is the fastest selling download ever in the UK, usurping Leona of that record which Lewis held for a few weeks.

More than 105,000 downloads were done of the song were done fewer than two hours since the show ended.

All that shines…: Simon Cowell has created a media empire. And before I get accused of bias, I think he is a very clever businessman who has worked for every pound that he earns. So, I will not be slagging him off. The Metro has revealed the following concerning the X Factor and how much can be earned by the winner, which is Ms Burke:

  • £150,000 advance, rest of £1m prize to be used on recording and promotion costs
  • 15% [potentially] earned from single and album sales
  • 15% of merchandise sales
  • 7.5% of a headline tour as profit

[Source: Metro Newspaper]

But why is everyone in the media surprised about this?! I wasn’t. I am no expert in the music industry but it is obvious first-time artists will not be laden with dosh with the likes of say Madonna who have been around since the Stone Age or people like Babyface who write everything under the sun.

Staying relevant: In a hip hop dvd called ‘BEEF’, I remember seeing a different looking Saigon saying how record labels can be ‘pimps’ and if you are not making enough money, they basically blank you. Unfortunately, that is what has happened to Steve Brookstein, the first winner of the X Factor in 2004. He was dropped by SONY BMG soon after. Many people who have been on the show and on Pop Idol have not been as successful as Leona Lewis or Rhydian Roberts. What’s more is that Rhydian, an operatic style singer from Wales, who lost the 2007 X Factor final, actually sold more albums than the winner, Leon Jackson, who has struggled to find form.

Marketing is Key: I think Alexandra Burke can only be successful if she is marketed properly. She is a beautiful black woman and Leona is also a beautiful mixed-race/black woman. However, people are already comparing the two saying that ‘we already have Leona’ etc. I don’t believe this for a minute. There is room for great music. Both of these black females should be able to make it irrespective of each other because they are so different. Leona has a magical quality to her voice, that sounds almost seraphic – it is grand and distinguished. Yet, Alex’s voice is gutsy, gritty and you can her the passion in her voice too.

I think the question for Alex and all future winners of the X Factor is what can they do constantly step up their game? Alex’s debut album is getting released in 2009 so we’ll have to wait and see. All I know is the media can turn against winners very quickly and make them into losers, when they have just had bad luck.

“Brown Girls”

(image found here)

The title of this post is a reference to a comment by Santogold where she says in an online interview, of her and M.I.A, “She’s cool, she’s my friend. We’ve worked with some of the same people and both are brown girls who aren’t just doing and R‘n’B or rap, but have similar influences. What I find so illuminating about this comment is the fact that Santogold is maybe one of the first black artists I have heard, besides James Spooner, who is openly talking about the fact that black people do not just make “black” music. By grouping herself with M.I.A in saying that they are “brown girls” who are essentially going against the grain, is Santogold making a cultural point about how general mainstream society sees black & asian women ? Continue reading

Indie Music & Pretension!

I always find pretentious musicians like Noel Gallagher from Oasis so tiresome and boring. Now he has opened his abyss of a mouth to declare that Jay-Z headlining at Glastonbury is WRONG.

In the article, he declares “I don’t know about it. But I’m not having hip-hop at Glastonbury. It’s wrong.” Now before anyone calls me a constable of the black police, this statement reeks of pretension and ignorance. I have never been to Glastonbury but it never marketed itself as a rock-only festival. Kylie Minogue was slated to appear once for God’s sake!

I find Gallagher repulsive and arrogant. This is just a way to get Oasis back in the papers. No one in England gives a fuck about Oasis. It is the same thing with Morrisey too; they just say controversial things in the hope that people pick up on them and remember, oh shit, you lot *used* to make music. What the hell does Gallagher mean by ‘guitar music’ anyway ? This guy is a knobhead. He needs to get a life.